If you're looking for a stylish and versatile font duo for your design projects, this is a great choice : Penabico Script and Cyra might be just what you need. This font set features a classic script and a engraved roman classic typeface, which work together to create an elegant and sophisticated visual
So if you're looking for display look which combines classic style with modern functionality, Penabico Script and Cyra Duo is definitely the great choice.
PENABICO PLUS CYRA is a font duo that seamlessly blends a amazinh english script and a classic roman chiseled font to create a modern and elegant look. The script font is perfect for creating a signature touch and adding a bit of flair to your designs, while the Cyra font adds a sense of classicism.
This font duo perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variation in the amazing library f letters of Penabico
ABOUT PENABICO
Penabico itself is indeed a masterpiece. Created across over 13 months of hard work, by Iza and Paulo W are proud to announce Penabico. This is our interpretation of the copperplate script styles to be found in the "Universal Penman, London, 1741". The monumental publication of engraved work by George Bickham (along with collaborators Joseph Champion, Wellington Clark, Nathaniel Dove, Gabriel Brooks, William Leckey and many others). This enhanced OpenType version is a complete solution for producing documents and artworks which need this kind of calligraphic script: 100s of stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; 250 ornaments and fleurons (mostly in the copperplate roundhand renaissance style) encoded in the dingbats range and accessed with the glyph palette (plus a special set with over 50 of these ornaments accessed with the ornaments feature); an extensive set of ligatures (100s of stylistic and contextual alternates plus discretionary ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; complete, intricate, ready-made calligraphic words; abbreviations (in many languages). The principal font contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish with all diacritic signs, punctuation marks (including interrobang ). The German ‘ß’ (germandbls, eszett, sharp s) even has over six different alternate forms. And we don't forget to add the unconventional germandbls uppercase. In non-OpenType-savvy applications it works well as an English script style font. Because of its high number of alternate letters and combinations (over 1500 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette. Two last things — we have placed some of the ornaments, catch-words and other material in supplementary fonts, for easier access in non-OpenType-savvy programs. They are: Penabico Words and Penabico Abbreviations.
FOUR FONTS IN THE PACK
All your Design Needs
